How can a Western designer approach Japanese concepts of aesthetics and fundamental philosophies about the material and immaterial world? This is a question that designer Tuomas Markunpoika explores in his body of work Distant Lights.
October 21st, 2015
Distant Lights is a collection that explores transience and impermanence as a visual and spatial experience. Tuomas Markunpoika was influenced by the Japanese philosophy of wabi-sabi, and focussed in on the element of transience inherent to wabi-sabi, and interpreted them through contemporary media.
“For me, transience is not only a physical quality of the object itself, but also an inevitable quality of the relationship between the object and the viewer as a visual experience in space,” he explains. “In Japan, I saw this phenomenon in the kare-sansui or “dry landscapes”. The most famous example is the garden at the Zen temple of Ryōan-ji, a framed rectangular space in which five islands of dark rocks and moss are surrounded by a field of small white pebbles, raked into lines that mimic diffraction patterns of water,” he says.
“The viewer is intended to contemplate this arrangement from a wooden platform along one side, and each position generates a different visual comprehension of the space and the rocks within it; no single image of the space can accurately describe the design.”
In his collection Distant Lights, Tuomas has co-opted a device known as the Fresnel lens, which was created to regulate light waves, and has adapted it to produce unexpected phenomena. The light is used to alter the path of radiating light waves into a directional beam of light. The viewer sees an acrylic Fresnel lens square in front of a ring of LEDs, which casts a geometric pattern of light on the wall behind it.
While the geometric pattern is a relatively stable consequence of the distances between the ring, lens, and wall surface, the image that the viewer sees in the lens itself is entirely based on his or her position. The viewer is thus confronted by the transience of their perception of the object—or of the object itself—in contrast to the static pattern of light cast on the wall.
The exhibition is currently being exhibited as part of In No Particular Order, during Dutch Design Week, October 17–25. Watch a preview here.
Tuomas Markunpoika
markunpoika.com

INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Herman Miller’s reintroduction of the Eames Moulded Plastic Dining Chair balances environmental responsibility with an enduring commitment to continuous material innovation.
The difference between music and noise is partly how we feel when we hear it. Similarly, the way people respond to an indoor space is based on sensory qualities such as colour, texture, shapes, scents and sound.
True luxury strikes a balance between glamorous aesthetics and tactile pleasure, creating spaces rich in sensory delights to enhance the experience of daily life.
In a tightly held heritage pocket of Woollahra, a reworked Neo-Georgian house reveals the power of restraint. Designed by Tobias Partners, this compact home demonstrates how a reduced material palette, thoughtful appliance selection and enduring craftsmanship can create a space designed for generations to come.
Melbourne Design Week is coming up again and expressions of interest are open. So if you’re a designer, educator or industry innovator, you better get cracking – submissions close September 23.
The internet never sleeps! Here's the stuff you might have missed
HDR reimagines Pyrmont Bridge East Amenities through adaptive reuse, elevating civic design with inclusive, sustainable intent.
Italian architect and designer Roberto Palomba has been travelling across Australia in February 2026 for a series of talks, showroom events and product launches.
As 2026 gathers pace, Davenport Campbell Principal Neill Johanson argues that the people-place-process nexus in workplace design just won’t cut it any longer.
Clare Cousins discusses the design thinking behind the award-winning Fisher & Paykel Melbourne Experience Centre, exploring how thoughtful retail environments can create meaningful connections between brand, space and visitor.