The Australian International Design Awards (AIDA) has announced its biggest year yet with the launch of additional categories
March 1st, 2013
Categories relating to home and commercial design include Architecture and Interiors, Hardware and Building, Housewares and Objects, Furniture and Lighting, Domestic Appliances and Consumer Electronics.

Entries are now open to the Australian International Design Awards (AIDA), an award which has been the launch-pad for many of Australia’s most famous and iconic designs over the last five decades – including the Hills Hoist, the Ute, the Cochlear Implant, the Artificial Heart and the Deapsea Challenger – which was used by Director, James Cameron to explore previously impossible depths of the ocean.

In 2013, the awards are set to be bigger than ever with new Architecture and Design categories and international judges, giving a new generation of organisations the opportunity to shine on the international stage.
“People often assess design based on visual appearance and functionality, however, we measure design based on the parameters of form, function, quality, safety and sustainability,” explains Managing Director of Good Design Australia and Chair of the AIDA, Brandon Gien.

Aligning with VIVID Sydney for the 2013 awards, the AIDA has put together a judging panel and forum of some of the world’s most respected product designers, including representatives from countries including Sweden and USA.
Submissions to the 2013 AIDA close on Thursday 28 March 2013, with winners announced on Thursday May 30, 2013.
AIDA
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
Former INDE Luminary LeAmon joins the Design Institute of Australia (DIA) following more than a decade as the inaugural Curator of Contemporary Design and Architecture at the National Gallery of Victoria (NGV).
Catch up on the latest developments in architecture and design, featuring highlights from BLP, Carr, Laminex and more.
As Vivid Sydney wraps for another sensational year, Gillian Serisier spoke with Mandylights lighting designer Tom Wightwick, one of the incredible minds behind recent light events including Sydney World Pride (Opening Ceremony, Domain Dance Party, Rainbow Republic), Poem of the Eternal City (a major theatrical production in Uzbekistan) and this year’s Vivid.
The internet never sleeps! Here's the stuff you might have missed
The Richards Stanisich duo will be in conversation with our Editor at Royal Oak Floors’ Sydney showroom on Thursday 23rd July, 2026.