Recently in Australia to visit Euroluce, Swedish lighting designer Magnus Wästberg brought with him copies of his lighting design manifesto, Lamps for Neanderthal Man.
December 3rd, 2019
The Sydney event scene in the design space rarely has a night off. And recently in October architects, interior designers, specifiers, design enthusiasts and the local design media such as Indesign and Habitus had one more, extra special reason to celebrate/congregate.
Magnus Wästberg, CEO and founder of Swedish lighting company, Wästberg, made the 18-hour journey to Australian shores to visit his products at the Euroluce showrooms in Sydney and Melbourne.
While he was here, Euroluce’s Sydney Light Studio was transformed, exhibition style, showcasing an extensive selection of lighting designs from the internationally acclaimed Swedish lighting company. Pieces on display included the W182 Pastille, W102 Chipperfield, W171 Alma, W132 Nendo, W103 Sempé and the impressive W151 Extra Large pendants.

Furthermore, Magnus took the time during the course of the evening to share key points from his lighting manifesto, Lamps for Neanderthal Man, that centres on the evolution of lighting design through the ages.
As alluded to in the product names of many of the pieces, Wästberg frequently works on collaborations with some of the most known and celebrated designers and architects the world over, including but by no means limited to nendo, David Chipperfield, Inge Sempé and Jasper Morrison.

Wästberg is available across Australia through Euroluce.
If you liked this article, we think you might enjoy our conversation with Wastberg founder, Magnus Wasterberg.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
Following a design pilgrimage through Copenhagen, Stockholm and Finland, FK’s Nicky Drobis reflects on 3daysofdesign, the work of Aino and Alvar Aalto, and why great design begins and ends with people.
Presenting a sound and light event in Melbourne’s CBD, Autex Acoustics and DARKON showcased their exemplary products and raised the bar for better design.
The internet never sleeps! Here's the stuff you might have missed
Bean Buro discusses the design of Palatino Hospitality’s Hong Kong workplace, where biophilic design, warm materiality and hospitality principles combine to create a calm retreat within the city.
Billo Bold, by Adam Goodrum for NAU, amplifies the plush proportions of the popular Billo seating collection with lusciously draped and folded upholstery.