Industrial designers showcase their metallic material at Gaffa Gallery in Sydney
November 17th, 2009
Gaffa Gallery follows up 2007’s ‘Interpretations’ exhibition curated by Andrew Simpson of Vert Design, with a new series of works in the Surry Hills space.
Glass took centre stage at the first edition, but this year ‘Interpretations II’ forges a focus on sheet metal, asking five industrial designers to interpret the material.
‘Garden Party’ by Bernabeifreeman evades the notion of metal as a “harsh serious material” with an abstract “digital interpretation” of flowers, using aluminium punched with 1200 holes to create a metal lace effect.
Simpson’s take was centred on the geometric, with a heavy-duty truncated octahedron armchair, which can be turned over to offer two seating positions – reclined and upright.
Geometry is key to the intricate shapes exhibited by Phillippa Carnenolla, who combined her interest in origami and spirituality to conceive surprising “meditative pieces for such a secular material”, using chemically etched folded metal.
Trent Jensen’s ‘Bollard’ plays with the destruction of the material, using controlled rust decoratively to “counteract the negative association we have with the ageing of the material”.
‘Barbeque 1 and 2’ by Oliver Smith showcased his renowned metalwork skills with an aesthetic approach to an industrial staple.
“The diversity and ingenuity of the ‘Interpretation’ designers has really impressed me and I see that the exhibition is more proof that through necessity Australian designers have become skilled in all aspects of the design process,” says Simpson.
‘Interpretations II’, until 24 November at the Gaffa Gallery, 1/7 Randle Street, Surry Hills.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
Indesign visits the ‘professional home’ of PSLab in London. Designed by JamesPlumb, this space is neither an office nor a showroom, but functions as both.
Our urban centres hold more and more of our population. Our living environments are shifting. Multi-residential developments sit at a unique point of this state of flux. We find out from Bosch’s Robert Warner about what this means for the products in our apartments and how consumer habits are changing accordingly.
Yavuz Gallery foregrounds a cultural conversation with the unveiling of ‘Desert Songs’, an exhibition by leading Indigenous artist Vincent Namatjira OAM exploings a vibrant narrative of personal histories through a series of bold and unapologetically political paintings.
The internet never sleeps! Here's the stuff you might have missed
As a significant renewal of an established social housing project, JPW’s recently completed Cowper Street Housing in Glebe, Sydney aims to bring sustainable and community-focused density to an inner city suburb.
Davenport Campbell’s Neill Johanson argues that, in a hybrid era, the office is no longer justified by attendance alone.