With premium office space in Melbourne’s CBD difficult to find, many architectural practices stay put rather than making a move. But a chance phone call was the catalyst for this impressive new office fit-out by Cox Architecture
December 21st, 2015
Cox Architecture had been in the same office in Flinders Lane for 20 years. While keen to move to a two-level studio-style space in the same city precinct, finding the right space would prove challenging. However, a call from an agent, with news of the appropriate space, became the catalyst for this impressive makeover. However, while the original interior walls have been preserved, a new large opening between the two levels, filled with a Japanese-style atrium, has made the office into what it is- a highly collaborative studio environment where staff can easily engage. And by slicing through the two levels, sight lines, as well as communication lines, have been clearly established.
While Cox Architecture has created generous open plan work areas for their 78 Melbourne staff, subtle divisions, often not apparent to the eye, ensure the level of noise is considerably reduced. “There are the private offices and boardroom. But there’s also the ‘town square’,” says Ness referring to the atrium as the place where client presentations, as well as social functions are often held. “But it’s taking the idea of the town square into a three-dimensional realm,” he adds.
Read the full story in Issue 63 of Indesign, on sale December 23.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
The difference between music and noise is partly how we feel when we hear it. Similarly, the way people respond to an indoor space is based on sensory qualities such as colour, texture, shapes, scents and sound.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Retail interior designs wrought in DuPont™ Corian® solid surface dazzle both customers and merchants.
Melbourne correspondent Lieu Pham explores the latest in the Southbank Cultural Precinct Redevelopment.
The internet never sleeps! Here's the stuff you might have missed
Even when we don’t realise it, we are guided by subtle cues in our environment. Colours, textures and geometries all converge to form an intuitive navigation system for inhabiting interior space.
As build-to-rent gains ground in Australia, HOME Parramatta asks what architecture can offer beyond supply: stability, shared amenity and a less provisional model of rental living.
In the crucible of design, the fire of inspiration transforms pragmatic elements into the burnished objects that add a flourish to places and spaces. This is the art of Buster + Punch.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.