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April 4th, 2011
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The difference between music and noise is partly how we feel when we hear it. Similarly, the way people respond to an indoor space is based on sensory qualities such as colour, texture, shapes, scents and sound.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
As the revolutionary Kartell by Laufen range arrives in Australia, Reece, Australia’s leading name in bathrooms, speaks to designer Roberto Palomba about the collection’s elemental origins, the design industry’s renewed focus on the bathroom space, and the role of emotion in design.
The internet never sleeps! Here's the stuff you might have missed
At Materia, Maurie Novak tests Passivhaus against an expressive architectural brief, using his own St Kilda home to question what high-performance housing can look like.
Designed by Blight Rayner Architecture in partnership with Snøhetta, the Glasshouse Theatre is a rippling glass landmark that connects Brisbane’s public life with the performing arts.
Maruni does not rely on signature gestures or visual statements with its elegant timber furniture, but rather reveals itself slowly, through proportion, appreciation for design and a continuity between traditional craftsmanship and contemporary expression.