The home of architecture and design in the Asia-Pacific

Get the latest design news direct to your inbox!

Asher Bilu in Australia

Sydney and Melbourne galleries feature work by Asher Bilu

Asher Bilu in Australia


BY

November 8th, 2007


Two Australian galleries in Melbourne and Sydney will feature the work of Israeli-born artist, Asher Bilu, in November this year.

Curated by Joanna Bosse, ‘Earthly Reflections of Heavenly Things’ exhibits from 7 November 2007 to 17 February 2008 at the Ian Potter Museum of Art at the University of Melbourne.

Bilu is joined by artists Leonard Brown and Emily Kame Kngwarreye, all of whose art is motivated by mystical and abstract matters.

Opening on 10 November 2007 at Sydney’s Wilson Street Gallery, ‘In-Visible’ is dominated by immense meteoric shapes, which sprang from Bilu’s ongoing fascination with light and cosmology.

Despite the variety of mediums the artist works with – including painting, sculpture and installation – he claims all pieces are united by the common language of abstraction. “Call it sculpture, or call it painting,” he says, “my aim is to create visual ecstasies.”

asherbilu@asherebilu.com
asherbilu.com

INDESIGN is on instagram

Follow @indesignlive


The Indesign Collection

A searchable and comprehensive guide for specifying leading products and their suppliers


Indesign Our Partners

Keep up to date with the latest and greatest from our industry BFF's!

From canvas to commercial interiors: Woven Image collaborates with Ben Goss

From canvas to commercial interiors: Woven Image collaborates with Ben Goss

As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.

A collective vision: The whimsical workplace with Intuit, COX and MillerKnoll

A collective vision: The whimsical workplace with Intuit, COX and MillerKnoll

Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.

Alex Bain on finding his anchor in Herman Miller’s Aeron Chair

Alex Bain on finding his anchor in Herman Miller’s Aeron Chair

In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.

Dipped in integrity: The profound depth of Aeron Chair’s extended palette

Dipped in integrity: The profound depth of Aeron Chair’s extended palette

Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.

Related Stories


While you were sleeping

The internet never sleeps! Here's the stuff you might have missed