Handmade elegance combined with German precision available exclusively in Australia from Special Lights.
April 15th, 2010
Available in a range of fittings, from micro pendants to table lamps, the Hering range represents a distinctive combination of modern technology, traditional materials and skilled craftsmanship.
Each light is unique with the natural irregularities of bisque porcelain, and designs that are perfectly matched to the material’s texture.
Careful application of patterns, allow blending with room themes, whilst the unpatterned options allow the true nature of the material and craft to be seen. The end result is a range of beautiful contemporary classics.
Designed to be seen….and then not seen.
Simplicity of form results in the pendants blending into the background when turned off, so as to not hinder any lines of sight or spectacular views.
Yet when turned on, the delicate porous surface springs to life and bathes the room in a soft, warm glow.
“These products are amazingly unique. The combination of porus surface and soft white colour when off, means that the products compliment natural surfaces beautifully. The elegance of form means that they are equally at home in both modern and classical settings,” says Scott Fuller, Design Services Manager, Special Lights
For nearly 100 years, the German company Steng has been at the forefront of lighting innovation, quality and suburb design.
Their design style is one of simplicity of form and understated style, with the Hering range of porcelain lights a perfect addition to the Steng portfolio in recent years.
Behind the seemingly filigree character of the Hering porcelain range, a refined lighting system made by Steng-Licht Germany is hidden.
Special Lights
speciallights.com.au
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Blending versatile cooking with smart performance, Bosch AccentLine appliances bring a quieter sense of order and simplicity to the modern kitchen.
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
Introducing a new all-in-one residency for emerging designers in Sydney – mentoring, PR, networking and studio space.
Orgatec 2022 is taking place 25-29 October this year. Will you be heading there? Let us know so we can connect with you. Plus, our 10 top workplace design articles, curated here for you.
Situated at the very top of Paris’ Champs-Élysées, the brasserie at Publicis Drugstore has been one of the city’s revolutionary hotspots for over six decades, and now enters a new life as Le Drugstore, courtesy of Design Research Studio and Tom Dixon.
The internet never sleeps! Here's the stuff you might have missed
After Milan Design Week’s ‘festival of consumption’, 3daysofdesign offers a much-needed reset, an opportunity to ‘make the world a better place’ and perhaps even a soft-launch of the future.
Melbourne-based architect and object maker Adam Markowitz blurs the line between design and craft, bringing a deeply considered, material-led approach to his work. As both a practising architect and furniture designer, Markowitz explores how objects can respond to space, light and human use.