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Byera Hadley Scholarship-winner Michael Jones is about to set off on a research trip across five countries. He tells us why his research focus, straw, is a sleeping giant in the context of climate crisis and built environment waste.
Bangalore studio Multitude of Sins elevates true leftovers — not surplus — into a richly layered workspace where waste materials become narrative, structure and sculptural expression.
Despite its long and rich history, signwriting is a profession in decline. Will Lynes’ new show, Oily Water at Canberra Glassworks, aims to showcase the techniques of the trade to highlight its potential in design.
In this edition of The Edit, take a closer look at Pedrali’s 36th showing at Salone, where spatial choreography, and new ideas in form, function and material come into view.
Designing with brickworks’ materials fortifies dwellings of monumental weight that are as beautiful as they are durable.
In northern Portugal, Studio Nicholas Burns has completed a refined and graceful winery building with rich local connections and a quiet landscape setting.
Meet Ash Fischer and Orlando Hayes, a pair behind not one but two brands looking at new ways of making materials sustainable.
In the second of a two-part exploration of hemp in today’s built environment, we consider risk and reward.
In the first of a two-part exploration of hemp in today’s built environment, we consider aesthetics and why the material hasn’t been used more widely.
Following a recent panel discussion during Melbourne Design Week, Collectivity Talks Founder, Genevieve Brannigan sat down with Sally Evans, Director of Graphic Design and Product Development at Nexus Designs, to interrogate the role of biofabrication.
Milanese artisan Henry Timi celebrates natural materials through strikingly reduced geometric forms, creating a stripped-back vision of interior luxury.
We sat down with Chris Fox to speculate on the future of regenerative architecture, circular economy and experimenting with vegetation in and on buildings.
