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An art and architecture destination like no other, the island of Naoshima in the Seto Inland Sea of Japan has just added another masterwork to its collection of Tadao Ando architecture.
Chus Martínez and Nguyen Le reflect on the importance of exhibition design as their own show – ‘A velvet ant, a flower and a bird’ – runs at the Potter Museum of Art.
Record attendance, $16.4 million in sales and the debut of FUTUREOBJEKT signal a fair confidently expanding its cultural and commercial reach.
An array of coloured circles overlaid in perfect geometric sequences create a spectrum of musical auras in artist David Sequeira’s Bundanon Art Gallery commission, Form from the Formless (Under Bundanon Stars).
Returning to the Melbourne Convention and Exhibition Centre this February, Melbourne Art Fair 2026 introduces FUTUREOBJEKT and its first-ever Design Commission, signalling a growing focus on collectible design, crafted objects and cross-disciplinary practice.
Held in a private Melbourne residence, Fletcher Arts’ annual exhibition unites over 30 Australian artists and designers in a setting where art meets architecture.
Wonderstruck is currently on view at the Queensland Art Gallery | Gallery of Modern Art (QAGOMA), an exuberant statement of flamboyant possibilities.
On the eve of Cerith Wyn Evans’ first museum exhibition in the Asia-Pacific region, we interviewed the internationally acclaimed contemporary artist in a wide-ranging discussion spanning Japanese gardens, the aesthetics of Buddhism and the Australian light.
The Gaffa Creative Precinct by Supercontext is an architectural expression that is once reverent of the past and boldly contemporary.
As NGV’s top design curators, Simone LeAmon and Ewan McEoin have big dreams for the design sector. And they’re coming at it with energy and ambition.
