With a large number of Slim & Mini PC’s now entering the workplace the traditional underdesk CPU support is an overkill.
January 28th, 2010
These Thin/Slim PC holders are very cost effective and attach to our standard Vision Range pole arms thereby keeping the worksurface free of clutter and offering maximum protection to valuable office machines from things like liquid spillages.

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The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
From office buildings, hospitals, parks and retreats, wellness is becoming multi-dimensional. Once the outlier of architectural vernaculars, we now look to wellness as a core design narrative, informing the way we build, design and interact with all kinds of spaces and places.
New York design studio, CIVILIAN, has teamed up with Bankston Architectural to create the new collection, Hemispheres.
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In this interview, Michael Leeton reflects on his philosophy of placemaking, connection to landscape and the importance of designing homes that balance intimacy with scale, using his award-winning project House on a Hill as a central reference point.
Scheduled to open later this year on the banks of the Parramatta River, the 30,000-square-metre Powerhouse museum — designed by Moreau Kusunoki in collaboration with Genton — represents a major shift in the geography of Sydney’s cultural infrastructure.