Emma Elizabeth from thedesignvlog.com catches up with design friends from downunder at the launch of the Matilda exhibition at London Design Festival.
October 6th, 2010
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The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
Featuring a dramatic roof space that unfolds like a fan, Snøhetta’s winning proposal for the Shanghai Grand Opera House generates surface and space designed to engender a sense of public ownership.
On Tuesday 22 September 2009, Corporate Culture played host to the REBUILD Fundraising Night at their Chippendale showroom, to support the final year students of the Interior Architecture program of UNSW.
This year’s Open House Melbourne Weekend program has been unveiled, with almost 200 buildings, places and experiences set to open to the public in July.
The undulating roof of the Warren Integrated Studies Hub emerges from within the landscape in a fluid fusion of biophilic design and architectural integrity that unearths the immense creative potential of building materials.
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Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
Developed by bangdesign for Stylecraft, Kinn is an Australian-made collection of seating and occasional tables, shaped by modest proportions, practical detail and the changing demands of shared interiors.