To mark the launch of high-end kitchen Electrolux Grand Cuisine exclusively at Space Furniture, Electrolux flew in two Michelin starred chef Tom Aikens to serve up a series of delicious dishes to specially invited guests.
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As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
During the State of Design festival in Melbourne, a disused warehouse became the buzzing location for This is Not a Design Market, showcasing emerging and established designers.
InterfaceFLOR is one of the world’s largest commercial modular carpet producers, based largely on its close affiliation with Huega, the company that invented the modular carpet tile.
The Design Institute of Australia (DIA) celebrated the opening of their experimental design exhibition, Motion + Emotion, on Tuesday 19 July at Melbourne’s State of Design Festival.
The idea that the only way is forward isn’t new but it feels particularly current when it comes to the evolution of the commercial workplace. Here, Bradhly Le takes stock of the significant transformation this typography has been going through – and points to adaptable design as one of the essential vehicles for this dynamic shift.
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Designed with Made For, Wildflower’s Melbourne office uses a restrained material palette, bold colour and curated furniture to create a workplace that reflects the company’s approach to interiors.
Billo Bold, by Adam Goodrum for NAU, amplifies the plush proportions of the popular Billo seating collection with lusciously draped and folded upholstery.