As the sun set over Walsh Bay, MPA Projects hosted yet another wonderful end of year cocktail party to thank those they had partnered with in 2013. Sydney’s property elite took time out to relax over a glass of bubbles at Ventuno and catch up with industry peers. A great way to end the year!
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At 3daysofdesign 2026, AHEC’s immersive exhibition traced the journey of American hardwood from forest to finished product.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.
After opening in April of last year LightCo’s stunning Sydney showroom continues to impress – most recently with unique installation during Sydney indesign.
We travel to a Glenn Murcutt-designed home whose looks and occupants have changed during its lifetime, but the magic Murcutt essence remains.
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Kengo Kuma, founder of Kengo Kuma & Associates and Pritzker Prize-winning architect, talks us through his collaboration with Jaipur Rugs that culminated with a showing at Milan Design Week 2026.
Fiona Drago Architect refreshes one of Melbourne’s best-known hotels, balancing heritage character with a more open and contemporary hospitality experience.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.