Making it Big: Christina Waterson
Published
By
jesse
Christina Waterson’s sculptural cardboard installation was an instant hit at 2007’s RAIA dinner. Read the extract article by Stephen Crafti for Indesign Magazine #32 here.
Christina Waterson wears several hats: an architecture graduate, a designer and an artist.
“I’ve always thought of myself as an artist first,” says Waterson, who has been making things for as long as she can remember.
“I feel most content when I’m working with my hands.”
Waterson has been oscillating between art and architecture since graduating in architecture from the University of Queensland in 2005, where she received the top graduate award in Architecture, a prize that included placement with Cox Rayner Architects.
Her decision to focus on her art practice was initiated by a design conference, held at the Bay of Fires in Tasmania (May 2007).
“That week away gave me a chance to reflect on where I was headed. I’ve always had an art practice, but now the focus has changed,” says Waterson
However, even before graduating in architecture, Waterson worked in public art management, securing a position with the Queensland Art Gallery.
Working as an exhibition designer with the gallery for four years gave Waterson the opportunity to look at design in a broader context.
“My work has always been materials based. I’ve always seen architecture as a form of art,” she says.
Waterson’s designs involve complex structural weaving in a variety of scales. Recycled materials, cardboard, stainless steel, plywood and polypropylene are all fashioned into sculptural forms.
Some of these forms end up as lighting, both floor and ceiling, while others may appear as a brooch. And often, the one design can be both.
For last year’s Royal Australian Institute of Architects (Queensland Chapter) dinner, Waterson worked with Cox Rayner Architects in creating a large installation that would provide an architectural canopy over guests.
Measuring 20x30m Waterson’s sculptural forms covered the dining area in the grand ballroom at the Brisbane Convention and Exhibition Centre.
Made of cardboard, each form took the shape of a Komodo dragon….
Read the whole article in Indesign Magazine #33, in newsagents 28th February.
Related Articles

Events
A rollicking good story with Richards Stanisich and Royal Oak Floors
Jonathan Richards and Kirsten Stanisich discussed practice, design process and the business of running a studio at a live audience event hosted by Royal Oak Floors in Sydney.

Events
Indesign x Wilkhahn: Melbourne, where are you working?
Our latest collaboration saw a range of designers come together at Wilkhahn’s Melbourne showroom for a discussion on the workplace dynamics specific to the Victorian capital.

Events
“A journey into a whole new material world”: Plant Life at the NGV
Curator Ewan McEoin tells us about the NGV’s new exhibition on plant-based materials as alternatives to plastics, synthetic materials and other non-renewable resources.

Events
The inaugural Coastal Design Assembly is about to make landfall in Sydney
Sophie Lanigan, organiser of a new event centring on Sydney’s relationship to water, tells us what the event’s all about, who it’s for and why it matters today.