Hong Kong correspondent, Ben McCarthy, takes a trip to Tokyo for their designers festival.
November 26th, 2008
Indesignlive.com correspondent, Ben McCarthy, is based in Hong Kong and contributes regularly to the site, keeping us informed on everything HK.
Tokyo designers week is the forerunner of the Asian design shows, it doesn’t have the international appeal that Milan has, but for the refined Japanese aesthetic, and the design savvy Japanese public, it’s a major calendar event.
The main event is 100% design, which is smaller than its London sibling, and attracts a nice balance of exhibitors. From contract suppliers, designer makers, coporate brands and avant guard young guns, it is perhaps only let down by the small scale of each department.
There were several interesting exhibitors, including &design, who presented some nicely considered pieces from a corian-like plastic, exploiting the materials versatile characteristics with a Japanese simplicity.
Design Tide is the other main exhibition during the week which attracts many international and Japanese exhibitors, including several Australian designers. The exhibition was beautifully presented, which for me was the highlight of the show.
Walls made of a semi translucent paper like fabric were stitched together like brick work, held aloft via helium balloons, which gave the show are more village fate feel, and removed it from a trade show context.
The pick of the satellite events was ‘second nature’, directed by Tokujin Yoshioka and included work from Ross Lovegrove, Makoto Azuma and the Campana Brothers. The show drew inspiration from nature forms, and applied them to provocative pieces, mostly furniture.
The stand-out pieces were the chairs from Tokujin Yoshioka made by growing natural crystals in a liquid bath, the painfully slow process gave the object a thoroughly unique texture – and the study of nature as an industrial process celebrated beauty in irony.
The Tokyo event is a worthy exhibition in the global design calendar. Even if the atmosphere of the week is perhaps enhanced by its very location, the celebration of Japanese design simplicity in an international context was well worth my short trip from Hong Kong.
100% Design Photographs by Luke Hayes Photography
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Savage Design’s approach to understanding the relationship between design concepts and user experience, particularly with metalwork, transcends traditional boundaries, blending timeless craftsmanship with digital innovation to create enduring elegance in objects, furnishings, and door furniture.
Channelling the enchanting ambience of the Caffè Greco in Rome, Budapest’s historic Gerbeaud, and Grossi Florentino in Melbourne, Ross Didier’s new collection evokes the designer’s affinity for café experience, while delivering refined seating for contemporary hospitality interiors.
Sub-Zero and Wolf’s prestigious Kitchen Design Contest (KDC) has celebrated the very best in kitchen innovation and aesthetics for three decades now. Recognising premier kitchen design professionals from around the globe, the KDC facilitates innovation, style and functionality that pushes boundaries.
In the pursuit of an uplifting synergy between the inner world and the surrounding environment, internationally acclaimed Interior Architect and Designer Lorena Gaxiola transform the vibration of the auspicious number ‘8’ into mesmerising artistry alongside the Feltex design team, brought to you by GH Commercial.
Hidden in Victoria’s Yarra Valley region, the Levantine Hill Estate offers a new benchmark for wine lovers and day-trippers.
The shortlist of The Multi-Residential Building explores how we provide shelter and comfort in context with population density, climate and requirement.
Identity and narrative are at the heart of London-based, South African Christopher Jenner’s work.
Australian student, Rodrigo Capati, is the only Aussie to be selected in the Top 100 of the global 2014 Electrolux Design Lab competition. This is an outstanding result for Rodrigo, with more than 1,700 innovative ideas submitted this year by students from 43 different countries.
The internet never sleeps! Here's the stuff you might have missed
The Australian Design Centre (ADC) this year celebrates 60 years! A series of events are coming up to mark the occasion.
Adaptive reuse is all the rage across the design industry, and rightly so. Here, we present a selection of articles on this most effective approach to sustainability.
Beau Fulwood and Alison Peach on returning to a low-tech, first-principles concept of design as a strategy to combat climate change.
Savage Design’s approach to understanding the relationship between design concepts and user experience, particularly with metalwork, transcends traditional boundaries, blending timeless craftsmanship with digital innovation to create enduring elegance in objects, furnishings, and door furniture.