Established in Melbourne in 1895, Rogerseller (or Rogers, Seller and Myhill as we were known) quickly became renowned as premium retailers, manufacturers and importers of mantelpieces, grates, sanitaryware, tiles and door furniture. Spanning three generations, two world wars and numerous boom and busts of the local building industry, our family-owned business has led the way in providing Australia with the most beautifully designed fittings for the living environment. To this day, our products from bygone years still adorn many exclusive residences alongside some of the most prestigious commercial developments in the nation.Today, our focus is on supplying the finest bathware, kitchen cabinetry and living solutions in the market. We design and manufacture our own premium collections alongside a core line-up of exclusively imported brands including Catalano, Fantini, Falper, Valcucine and Lema.
These select partners are closely aligned to everything we're passionate about - design, style, enduring quality and creativity - as well as being continual innovators who never compromise the integrity of their products.So while the breadth of our product range has evolved throughout the times, our core essence has remained the same – a passion and commitment to offering timelessly designed, premium quality fixtures and fittings with an unprecedented level of service. Which makes us, still to this day, the destination for unique, memorable and design-inspired bathrooms, kitchens and living solutions.
Click the locations below for more information on each showroom.
Established in Melbourne in 1895, Rogerseller (or Rogers, Seller and Myhill as we were known) quickly became renowned as premium retailers, manufacturers and importers of mantelpieces, grates, sanitaryware, tiles and door furniture. Spanning three generations, two world wars and numerous boom and busts of the local building industry, our family-owned business has led the way in providing Australia with the most beautifully designed fittings for the living environment.
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Technology has well and truly made its way into nearly every facet of life. But what about the bathroom? In a free white paper, we investigate the state of bathroom technology in Australia and how it’s keeping pace with the 21st century. Download now!
Stone and ceramic are both classic additions within any space. Its diversity means that it can be used in any interior – modernist, industrial, minimalist, even vintage or classic. This week’s Indesign In Focus showcases stones and ceramics that make every interior elegant and sublime.
As we know, in the design world there’s no greater time to debut new products than at Salone del Mobile. Over an exciting week, thousands of exhibitors and visitors peruse the latest in design, and Italian design luminaries Lema, Fantini, Valcucine and Falper, are no exceptions.
Contrary to many creative endeavours, the purpose of some interior design is often to be completely unnoticeable. In hospitality venues the design needs to communicate loud and clear, but in residential settings, however, the interior must become a backdrop for the drama of life to unfold. Here’s an example by Rogerseller.
For the A&D community, there is constant pressure to be productive, creative, and get things done. They rely on their partners to do the job well and efficiently; they require suppliers they can trust. But what exactly makes a good supplier? What are the A&D community looking for and how can suppliers meet those demands?
Technology has well and truly made its way into nearly every facet of life. But what about the bathroom? In a free white paper, we investigate the state of bathroom technology in Australia and how it’s keeping pace with the 21st century. Download now!
Want to know what made the spec’ schedule for all our featured projects?
What does it take to redesign a tried and tested model? For centuries, the iconic Australian pub has shaped our country’s communities, quenching the thirsts of millions of Aussies and offering social solace at the end of a long, hard day. This side of the new century, our shifting lifestyles, played out in the concrete jungles of our capital cities, has bred a new brand of beer o’clock. But just how ‘refreshing’ is it?
