Direct from Venice, Lucy Bullivant reports on the major talking points at this year’s Architecture Biennale.
September 8th, 2010
Kazuko Seijima, partner in SANAA (with Ryue Nishizawa) has focused on the experiential aspects of architecture in her selection for the 12th Venice Architecture Biennale.
The extensive expanses of the Arsenale and Corderie, and rooms of the International Pavilion include artists as well as architects.
Smiljan Radic and Marcela Correa’s The Boy Hidden in a Fish, a simple, elemental refuge in granite, is followed by Wim Wenders’ ‘If Buildings could Talk’, a 3D film about SANAA’s new Rolex Learning Center in Lausanne, Switzerland.
Smiljan Radic + Marcela Correa El Niño Escondido En Un Pez / The Boy Hidden In A Fish, 2010
Interview by Hans Ulrich Obrist with Wim Wenders Now Interviews, 2010 Corderie, Arsenale
Anton Garcia-Abril/Ensemble Studio’s Balancing Act, a contrapuntal structure laid out across the long enfilade of the Arsenale is a fitting counterpoint to Transsolar and Tetsuo Kondo’s Cloudscapes, a spiralling jetty of a form enveloped by clouds.
Anton Garcia-Abril Ensamble Studio Balancing Act, 2010
Next to the International Pavilion in the Giardini is Raumlabor’s Space Buster, an inflatable plastic structure, another sign of Sejima’s love of the ethereal.
Raumlabor, Küchenmonument, 2006
Engrossing displays by Italian architect Lina Bo Bardi (1914-1992), OMA on urban preservation, and by Aldo Cibic and Andrea Branzi, both concerned with urban solutions, Cibic’s of the agro-techno variety appear in the Pavilion, while standout national pavilions (among a total of 56) include Australia’s 3D stereoscopic films of landscapes, ‘Now and When’; Great Britain’s Villa Frankenstein, linking London and Venice past and present and Factory Russia.
Reclaim, three simple, full size fishermen’s huts from Bahrain, a new exhibitor which won the Golden Lion for Best National Pavilion, for its refreshing defence against excessive coastal development, was indicative of the upbeat mood of this year’s Biennale.
Photography by Giorgio Zucchiatti
Transsolar + Tetsuo Kondo Cloudscapes, 2010
Transsolar + Tetsuo Kondo Cloudscapes, 2010
architecten de vylder vinck taillieu ordos 100
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
An exciting new collaboration involving Autex Acoustics, Willie Weston and Lisa Waup colourfully brings First Nations design to high-performance acoustics.
Marylou Cafaro’s first trendjournal sparked a powerful, decades-long movement in joinery designs and finishes which eventually saw Australian design develop its independence and characteristic style. Now, polytec offers all-new insights into the future of Australian design.
Sub-Zero and Wolf’s prestigious Kitchen Design Contest (KDC) has celebrated the very best in kitchen innovation and aesthetics for three decades now. Recognising premier kitchen design professionals from around the globe, the KDC facilitates innovation, style and functionality that pushes boundaries.
Here’s the lowdown on what to expect at Design Shanghai 2019, which lands at the Shanghai Exhibition Centre from 6 to 9 March.
A new book documents the brutalist architecture of Sydney, putting the movement into historical context and highlighting its ongoing relevance.
The internet never sleeps! Here's the stuff you might have missed
With a finger on the pulse of the changing workplace in and around the pandemic, Elenberg Fraser completed Slattery’s dynamic office in Melbourne.
Winya, the Indigenous-led fit-out and furniture supplier, is set to open its brand-new showroom in Sydney this month – find out how to RSVP!