Search Results for: gray puksand
Artificial intelligence is one of the defining issues of our time. Here are five ideas articles addressing the anxieties and possibilities of the technology in design.
Simon Liley, Principal Sustainability Consultant at Cundall, writes about how cyberpunk dystopias haven’t (quite) come to pass yet – and how designers can avoid them.
In this comment piece, Gray Puksand’s National Managing Partner, Nik Tabain, outlines some anticipated trends for this year.
Despite designing one of history’s most coveted side tables, Eileen Gray’s popularity faced significant gaps due to the challenges encountered by female designers in the early 20th century.
The new year is well and truly under way – as we hit February and the industry gets moving, we track career changes and promotions across the board.
In no particular order, we bring you some of the most inspiring, unique and unusual recent projects across education design that have also featured in the INDE.Awards.
In this opinion piece, Francesca Moccia, senior associate at Gray Puksand, makes the case for understanding buildings as commodities.
Travelling to Sweden to sleep in a bed is extreme but this artisanal handmade bed isn’t just any bed, it’s a Hästens. Jan Henderson reports from Sweden.
This pre-tertiary education facility by Fieldwork and Brand Architects elevates modern day learning through connections with nature, progressive sustainability measures and flexible work spaces. Check out CHES.
Australia’s first tertiary campus with the facilities to host both trade and digital skills-based education under one roof is now complete. Designed and delivered by Gray Puksand, the campus is ready to address Australia’s skills shortages.
From promotions in architecture and new roles in the arts to milestone retirements, there’s been a bit of everything happening across our creative industries in September.
Vipoo has taken home the winning title in the biennale MAKE Award for Australian creatives. Learn who took home second prize and highly commended in what is Australia’s richest, non-acquisitive prize for craft and design in Australia.