Slovenian, Nika Zupanc, offers an exciting take on the still predominately male furniture-design market, her unique creations strive to provoke using fresh yet rational shapes.
April 29th, 2013
“Let it be full of love”
Using her poetic judgement to sophistically explore the limits of the design industry, Nika Zupanc caught the eye of Dutch design house Moooi in 2007, and has since collaborated with the innovative company to achieve worldwide recognition. At this year’s iSalone in Milan, Indesign’s Nicky Lobo took time with Nika to discuss life, inspiration and creation, finding out that Nika has an interest in Australia that goes beyond design.
The Golden Chair
Nicky Lobo: Firstly, can you tell me a bit about your current design for Moooi – the ‘Golden Chair’?
Nika Zupanc: With all my designs, I try to work with this idea of ‘icons’. I like to combine ideas and items we have hidden in our subconscious to form the basis of my designs. With this chair, I predominantly wanted to design a very simple chair, that is, I wanted to to take the form of the chair back to its very basic sketch – as if you would invite a five year old to design a chair. That was my first inspiration. The second part was based on the colour: gold. Gold is a very difficult colour, especially to use in contemporary design. Therefore by designing a very restrained chair that can be minimal and very simple, I was able to bring a positive story to gold, to transform this colour into something beautiful, elegant and reminiscent of a fairy-tale. I hope therefore I have been able to give ‘gold’ a new place in our perception of contemporary design.
The Golden Chair in Milan
NL: Do you think you try to achieve this balance in all your designs?
NZ: In a way, of course. I see myself as a new product designer, and because of that I will always have limitations: limitations with money, technology and combining my philosophies with others. I will always only have a small space to work with. But when you manage to work inside this box to create a product with a twist, when you manage to put the pieces of the puzzle together in new ways that is when you bring out something unique in design.
Lolita Lamps
NL: What is the most important aspect to you when you are designing these new products?
NZ: If I am working with a company, first and foremost, it is important for me to combine my design philosophy with theirs. And in fact, this merge is the key inspiration for each new design. However, if I am designing for myself, there are certain topics and themes I like to research first, and then I can address and explore this theme in my design. I have a very open brief at Moooi: I can suggest what I think might suit their collection. It is a great company to work with.
NL: Where are you mainly based and what is it like working for international design companies?
NZ: I’m based in Slovenia. I think today it doesn’t matter where you come from; the web has made location no longer an important factor when thinking about or creating design. Slovenia is in a great geographical position – I can drive to Milan anytime I want for instance. I know that Australia is really far away from Milan however. But in the time of the Internet, it is in fact so close. I myself just send files and drawings over the internet, I really don’t even use my printer. Physical distance is no longer a problem.
5 O’Clock Chair
NL: What do you think attracted Moooi to you in the first place?
NZ: Marcel [Wanders] spotted my ‘Maid Chair’ that I designed in 2007. After that he was very keen to work with me. I think he saw that I was opening a new niche in design, that I had a very special language. And I guess, Marcel along with Casper [Vissers] and Moooi as a company, believed that my design could contribute to the image of Moooi. But I also think that because of Marcel’s own talent he had this vision of me, that he was able to see my talent early on. In fact, Marcel has done extraordinary things for designers: Moooi has been able to recognize their talents. And Moooi will always be a very special company from that point of view.
5 O’Clock Setting
NL: Do you want to come to Australia?
NZ: Of course! I love to wind surf. You have too many sharks, but the beaches look beautiful. But also, in the sense of design, you have an extremely interesting market and design community.
NL: Just quickly to finish up, can you say the first thing that comes into your head when I say:
Moooi
Portrait Image © Fulvio Grisoni
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Sub-Zero and Wolf’s prestigious Kitchen Design Contest (KDC) has celebrated the very best in kitchen innovation and aesthetics for three decades now. Recognising premier kitchen design professionals from around the globe, the KDC facilitates innovation, style and functionality that pushes boundaries.
Savage Design’s approach to understanding the relationship between design concepts and user experience, particularly with metalwork, transcends traditional boundaries, blending timeless craftsmanship with digital innovation to create enduring elegance in objects, furnishings, and door furniture.
In the pursuit of an uplifting synergy between the inner world and the surrounding environment, internationally acclaimed Interior Architect and Designer Lorena Gaxiola transform the vibration of the auspicious number ‘8’ into mesmerising artistry alongside the Feltex design team, brought to you by GH Commercial.
Channelling the enchanting ambience of the Caffè Greco in Rome, Budapest’s historic Gerbeaud, and Grossi Florentino in Melbourne, Ross Didier’s new collection evokes the designer’s affinity for café experience, while delivering refined seating for contemporary hospitality interiors.
The wellness revolution is well and truly upon us. But what exactly defines wellness and how is it shifting? We reflect on projects from the 2018 INDE.Awards.
The Dutch designer talks to us about his latest works for Magis at Milan Design Week, and shares what it’s like working with the Italian furniture manufacturer.
The internet never sleeps! Here's the stuff you might have missed
Focusing on facade and green design, this pair of office blocks is designed to meet the most contemporary demands of workplace design.
Art, design, architecture and hospitality all combine perfectly at The Ritz-Carlton, Melbourne by BAR Studio and Cottee Parker.