Indesign threw a party for Melbourne friends on Wednesday 14 December in a sunny courtyard at Richmond’s Public House, to celebrate the coming Christmas break and the end of another great year.
December 20th, 2011
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In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
This radical exhibition of Walter Van Beirendonck, is about bringing people together, and challenging the norms of art, fashion and design. Alice Blackwood reports.
Spectrum Interiors create an impressive new Sydney office for this international insurance group.
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A recent Design Talk Series event presented by Royal Oak Floors saw Melbourne-based interior designer, and founder and principal of Mim Design, Miriam Fanning in live conversation with our editor.
In this interview, Michael Leeton reflects on his philosophy of placemaking, connection to landscape and the importance of designing homes that balance intimacy with scale, using his award-winning project House on a Hill as a central reference point.