Indesignlive talks to Adelaide’s newest recruit.
February 25th, 2010
With a double decade of experience in the design world, writer and curator Brian Parkes was a stalwart of Sydney’s design scene – until last week.
The Board of JamFactory Contemporary Craft & Design announced the appointment of Parkes as the organisation’s next Managing Director, which will see him uproot to Adelaide to head the operations at the renowned establishment.
“I think it is a good fit,” said Parkes of his burgeoning relationship with JamFactory, “in some ways it is serendipity – I have been here for 10 years at Object so I thought it was a good opportunity to do something new.”
As the Associate Director of Object for the past decade, Parkes has repositioned Object as a dynamic design institution reaching out to a broader audience and nurturing home-grown talent – a debate he is particularly passionate about.
“[Here in Australia] we don’t have the same infrastructure in supporting and showcasing design in the same way as we do art. Even though it is probably an equal force.“
Looking back over his time, Parkes considers ’Freestyle: new Australian design for living’ as one of the highlights, which saw the works of 40 outstanding designers taken to Milan Triennale Design Museum in 2008. “And I am still seeing the ripple effects.”
Housing four studios for ceramic, furniture, metal and glass design and production, Parkes is looking forward to being immersed in the JamFactory’s prolific creative environment.
“It seems to me that there are some fantastic opportunities in South Australia and at the Jam Factory. It is a dynamic institution with incredibly strong foundations.“
“The blocks are well in place to be able to take it to another level.”
JamFactory Contemporary Craft and Design
jamfactory.com.au
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
Peer behind the calming timber reception and you will be surprised to find bursts of pink, orange and blue. This dermatology clinic breaks with convention to offer a new way of projecting professionalism and comfort.
With a brief to introduce the most innovative and interactive features ever before seen in Korea, the Lotte World Mall development by Benoy Architecture, Planning, Interiors and Graphics in collaboration with Interface, have crafted the world’s first interactive flooring.
The internet never sleeps! Here's the stuff you might have missed
Joanne Odisho has been named the 2026 Australian Furniture Design Award winner for Mod-u, a modular lighting system made from eggshell composites and bio-filament.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.